Sunday, November 30, 2008

Bon Iver Also Rules!

       (Yes, even Justin Vernon can't deal with how awesome he is)

...Even when they cover someone else's song. Here is Justin Vernon and Co. covering a Sarah Siskind song entitled "Lovin's For Fools". It may be old to some of you but it'll definitely be a treat if you haven't peeped this vid yet. There's also a clip of Justin Vernon getting on stage with Ms. Siskind in Nashville, where they perform the song together, which I'm sure is amazing as well, but in this video, Vernon is accompanied by the Bowerbirds, who are a nu-folk band from North Carolina. They released an album last year entitled Hymns For A Dark Horse and are apparently cool enough to share a stage with Justin 'the freakin man' Vernon (ok, I might be the only one in the world lame enough to call him that). Prepare to wipe the drool off your keyboard - Bon Iver: Lovin's For Fools.

Canada Rules!

It really does, and I think all the anti-canuck sentiments we have flying around are really just jealous attempts to counteract the awesomeness that is Northern America. Case in point - Braintoy (you thought I was going to say something cliched like Arcade Fire or maple syrup or Tim Hortons, weren't you?! Ha!)

Braintoy is not some new Nintendo DS game, but a 4 piece hailing from Toronto, Canada. Vehicles, a strong contender for a slot in my top 20 releases of 2008 is a great prog rock record - accessible due in part to its energetic and soaring vocals and solid instrumentation (which you would expect from any prog band worth their pretentious song titles and epic(ly long) songs. The title track is an excellent introduction to the band, one that is sure to keep you interested and get you excited to see what else these Canadians are capable of. 


Listing influences like Porcupine Tree and Tool, one can trace the bands idols to their brand of post rock - the atmospheric stylings of Steven Wilson and the simple yet effective guitar lines of Adam Jones seem to be channeled, but in a way that is uniquely Braintoy - there's no blatant plagiarism here, just a familiarity that will comfort listeners and solidify Braintoy's place among the contemporaries they so revere. 

Check out the title track, Vehicles, on their myspace and check out the next big Canadian export. (a whole post on a Canadian
 band without any jokes about the Canadian accent!) Sounds you'll hear: Tristan Green's awesome vocals, keyboards, some electronics, punchy distorted guitar, a calm number named Banyan Tree and just proggy goodness (but not in the 'Camel' sense mind you - I'd say its more along the lines of a Coheed and Cambria sans the mighty Claudio Sanchez's vocals and sci fi concept story.) Either way, I'm having a hard time describing them, so do me and yourself a favor and check them out!

Saturday, November 29, 2008

I...

I've got a handle on the fiction, I'm losing my grip because I'm losing my fingers, I...

You better believe I am fro-banging to this track.

Friday, November 28, 2008

You Think You're Fucking John Lennon


Type in www.glassjaw.com into your browser. Did you do it? Spell it correctly? Ok, good. Now sit back, crank up the volume (not too loud in case you want a heart attack...you'll find out what I mean soon enough) and soak in the sounds of a brand new track from Glassjaw! 'You Think You're Fucking John Lennon',  which is the name of the new track, was first played live around two years ago, but I guess Daryl finally decided to put vocals down with the rest of his band in the studio (and I love him for it). The guitars come crashing in with Daryl's shrieks, almost reminiscent of Stephen Carpenter riffage (a la Engine No 9) and the chorus is just kick ass. Everything you loved about Glassjaw's blend of post hardcore is here, and the 6 year wait for new material is definitely worth it if the rest of the album follows suit. The new song definitely is akin to 'Worship and Tribute' era material, so if you dug that, chances are you'll dig the new song. Ya dig?

           (you'll be greeted by the Puerto Rican flag at the Glassjaw website...?)

If you got too excited reading the words 'new Glassjaw track' here's the recap - go to the official website and it streams automatically. Go!


Monday, November 24, 2008

For Emma (A capella)

Big ups to my buddy Jimmy (mah booooiiii! haha) for this link. This is just amazing. Especially if it was a spur of the moment thing to drop an a capella version of 'For Emma' off of Bon Iver's 2008 debut 'For Emma, Forever Ago'. I would've killed to see this! I wanna be Bon Iver! 

Enjoy - the harmonies are nothing short of beautiful.

Saturday, November 15, 2008

Bon Iver - Blood Bank EP


The man responsible for my favorite album of 2008 is set to release a 4 track EP in January. Entitled 'Blood Bank', Justin Vernon is scheduled to drop his EP on the 20th of January, 2009 and I am beyond stoked. Bon Iver (a play on the french word bon(ne?) hiver, which means good winter) has been playing the title track at recent shows. I've been searching youtube for a quality video and I think I've found a decent one. Enjoy! 


(the end is cut off, but this is the best quality I could find!)

Wednesday, November 12, 2008

Aya Yuson: Angelsong

About 4 years ago, I decided I wanted to get guitar lessons. I finally realized I wasn't as good as I thought I was (mastering power chords does not make you Jimi Hendrix incarnate), and this humbling realization led me to ask my cousin about guitar tutors - if she knew any, how much they were and other questions you ask your cousin about guitar lessons and the people who give them. My extended family is very musically inclined - two out of three sisters are the front-women of their respective bands (or were at some point in their lives) as well as their mother who sings more songs than the radio plays. So naturally, these were the people to ask. My cousin had just recently started to get guitar instruction as well, and recommended I'd call her teacher, a family friend. His name was Aya Yuson, and while the name might ring a bell if you know anything at all about the underground Filipino jazz scene (I figure that's...none of you), I wrote down the name and had no clue I was indeed contacting a living Pinoy jazz legend.

I still remember calling him up, my body starting to tense and my legs automatically and frantically pacing around my living room (I'm still not good at confronting and talking to strangers) and finally! being greeted by a playful  man at the other end. I still remember being asked what I wanted to learn, and me subsequently regurgitating all the techniques and skills 'good guitarists should know', being content I remembered the fancy terms and all that jazz. 

I would pick Aya up a couple of blocks from my house for the guitar lessons my mom willingly paid for (I guess I was making more noise than music, and probably still do), and we would conduct class out on the lanai by our pool. The breeze always reached us best and Aya's trails of smoke exhaled from his cigarettes were free to explore the open air that surrounded us on light afternoons. Aya just made you comfortable by explaining things in his zany way, which was never pretentious considering his credentials (which was one helluva resume), and the lessons always seemed too short, the hours passing as swiftly as my teacher's cigarette smoke, from lips, to the aural atmosphere, to nothingness. 

I really did learn a lot from Aya, considering I only had a handful of lessons - 6 max. While learning major scales, their places on the fret board and the blues scale, the A minor pentatonic scale, as well as how to funkify Jimi Hendrix's 'Purple Haze', the real lesson I only learned today. I went to his CD launch, for his jazz record Angelsong, which features a full quartet and a bounty of tasteful jazz guitar solos. After the show, he approached my cousin (the same girl who introduced us) and looked at me sideways, scanning my face that was familiar, with my name on the tip of his tongue. My long, afro-centric that shouldn't adorn an asian man hair style threw him off at first, but we began talking once he recalled who I was and the short time we spent together. His first words?

"Ah its you! The naturally talented bastard"

And it came back to me, how he would call me this every sunny afternoon out on my lanai, my electric guitar positioned on my lap with unsure fingers, and I would blush and focus even harder on the notes I couldn't play. He would always explain how he would have to practice at least 5 hours a day to get to where he was, and he envied me. He also cautioned me that I, like other people of my type, were prone to laziness, and that I should practice even harder than he did. Of course, I did not. I thought he said that to all his students, gave all his students that 'nick name'. Maybe he does, but it still felt good coming from a professional jazz composer, and in my heart I knew there is some truth to that statement. 

Embarrassed, just like I was 4 years ago by the pool side, I mustered up the courage to ask for an autograph for his CD. In the CD jacket, he wrote "Keep the fire burning," which may sound cliched to you, but for me, it means a lot. I know I have been blessed with talent, that I should not be lazy and waste. It took me 4 years to realize his most rudimentary lesson. Now, if you'll excuse me, its time to stoke the fire, I still see an ember glowing strong amidst the haze.

Tuesday, November 11, 2008

We Are Not A Football Team

She was sitting on a swing
and dangling her feet
like the leaves of a tree
I think I heard her singing

We're still out at 10 in the evening.

I knew her in the way that
I knew not to speak.
Quietly took a seat
and thought I'd stay for a week.

-Minus the Bear

Meniscus and Lights Out Asia

I like listening to post rock when I go to sleep. The problem is, sometimes the guitars weaving sound scapes, coming to incredible and breath taking crescendos...well they fall on deaf (asleep) ears as I'm out like a light before the first track even finishes. The repetitive nature of post rock songs, combined with my super human ability to utterly pass out in less than 7 seconds (my brother is testament to this - while asking him a question, I fell asleep before he could even answer) has me waking up tangled in headphones and no recollection of the music I had listened to the previous night! 


There are some bands though that keep me awake, staring blankly out into the swarthy cloak placed over the room I knew so well in the daytime. Bands like Lights Out Asia and Meniscus have both had this eye opening power over me, with a brand of post rock that isn't tired and trite. Lights Out Asia, a trio from Milwaukee, Wisconsin released the striking Eyes Like Brontide in August have captured my interest with their blend of post rock that heavily incorporates electronic elements (not quite like 65daysofstatic though) with fresh guitar riffs. Their song writing abilities and sound they achieve just appeal to me and capture my interest, so hopefully you guys will dig em too.


Meniscus hail from Sydney, Australia and bring to the table tribal  and otherwise interesting drumming and heavy, almost metal guitar riffs that one could easily see becoming a song with soaring vocals. I like the way the songs flow on their album 'Absence of I'. The 4 track album is an easy listen and while some guitar riffs have the 'heard that before' stamp written all over them, most of the guitar work is an excellent display of how to use your stomp boxes - from beautifully dialed in delay to crushing distortion, its hard to imagine that all this aural mayhem comes from a 3 piece Down Under. 

Dustin Kensrue gets into the Holiday spirit

The release of his website as a platform for his new single "Christmas (Please Come Home Baby)" in early November is something I'm used to. In the Philippines people will start to deck the halls and their tropical driveways in string lights and capiz shell lanterns once 'the berrrrrr months' start (as my dad likes to call them). The Christmas music will start playing in over crowded shopping centers (Landmark) before Halloween! I think people should just put vampire fangs on Santa, some detachable horns on some reindeer and they'd be good to go for Christmas on November 1, like they want to be. It makes me laugh - I love the Philippines, especially when its so baduy. 

I have yet to find a person who doesn't like the spirit of Christmas and the festivities that come bundled in a big burlap sack, just like I have yet to find a song Dustin Kensrue has penned that I don't like, so in simple math this sounds genius. Dustin Kensrue + Christmas = instant eargasms to be had. Right? Well here's the link to his first single and website:


I've listened to the song and its quite good, but I just associate Christmas records as lame artists cashing in on the holiday spirit. So I'm anxious for this to be good...ah who am I kidding I'm gonna pick this up faster than a kid picks up his present on Christmas morning. I'm a sucker for Christmas songs anyway


Sunday, November 9, 2008

Just One Bite

This might be the funniest Spongebob episode I have ever seen. His face is just classic!


Thanks to Ethan for the link. Excuse the poor quality, if anyone finds a better link or just a picture of Spongebob when he does 'the face' (you'll know it when you see it), let me know. 

Iiro Rantala New Trio

(pretend there's a picture here. Blogger was being lame)

Daaaaaaaaaamn. That's all I could say when I first watched these guys on youtube, in their video Shit Catapult. The first minute overwhelms you as each member introduces themselves with blazing solos which punctuate the frantic rhythm of the Finnish trio's conceived...demon child! When the mayhem finally alludes to a melodic break in the insanity, its so pleasing and beautiful that it captivates and eschews any doubts you may have had in your first 60 seconds of experiencing the technically (and creatively) insane three piece. 

What I think separates them from other bands that can jam the shit out of their instruments is the humor in the music. The expressions that canvas on guitarist Marzi Nyman's face show he's there to have a good time, leading us to do the same. He gets some beautiful sounds from his guitar, as well as some I didn't think were even possible. His outrageous guitar stances and gyrations make him an energetic and interesting performer to watch. I believe Iiro Rantala is the heavy weight out of the three, being a renowned Finnish pianist and his chops definitely show. While his obvious technical prowess is necessary to keep up, the pianist adds his own bluesy, romping touch amid a carousel of styles that he keeps coming throughout the song. 

Felix Zenger, the beatbox is amazing as well. My stomach dropped a little when I realized they had enlisted a human percussionist instead of a cool, swanky jazz drummer, but my fears were assuaged once he opened his mouth. He never once appeared gimmicky, and probably could 'outplay' many successful drummers out there today. Felix Zenger is not to be confused with a ragged white Eminem clone who beatboxes simple hiphop beats while humming Eye of the Tiger over the top of his sonic malady. They dropped an album entitled Elmo this year, go check em out!

Piano - Iiro Rantala
Guitar - Marzi Nyman
Beatbox - Felix Zenger

Tuesday, November 4, 2008

I'm Not Going To Pretend To Know About Politics, But...


I do know he is going to be the 44th President of the United States of America. This picture is so spot on, because it encapsulates all we have, and all we can have amidst the crises we all face. No matter what nation, race you belong to, or political party you are in favor of, Barack Obama will be the next U.S. President. Can we embrace this unprecedented moment, and expect great and ubiquitous change? Can we vest in something so intangible as hope? Yes we can.


- And that's all I'll probably ever say about that!